Art meets science in this delightful book of botanical illustration. Drawn from the archives of the National Library of Vienna, these exquisite color reproductions range from 6th-century manuscripts to 19th-century masterpieces and celebrate both the skill of botanical artists and the abundance of natural flora.

Hardcover, 6.1 x 8.5 in., 2.50 lb, 512 pages

Presenting recently rediscovered drawings, Life and Death explores what it means for an artist to picture their own death, in both the context of Wyeth’s late career and contemporary American art

This volume presents for the first time a recently rediscovered series of pencil drawings from the early 1990s, through which Wyeth imagined his own funeral. Chapters by leading art historians explore the significance of picturing one’s own death in both the context of Wyeth’s late career and contemporary American art. The book connects the funeral series to Wyeth’s decades-long engagement with death as an artistic subject in painting, his relationships with the models depicted, and his use of drawing as an expressive and exploratory medium. It further inserts Wyeth’s work into a larger conversation about mortality and self-portraiture that developed in American art since the 1960s, and includes works by Duane Michals, Andy Warhol, David Wojnarowicz, George Tooker, Janaina Tschäpe and Mario Moore. While his contemporaries posed a variety of existential questions in picturing their own passing, those that interrogate the universality of death as a human experience have become especially urgent in the wake of the coronavirus pandemic and the national reckoning with racial inequality that emerged in 2020. Andrew Wyeth: Life and Death thus addresses ideas about loss, grief, vulnerability and (im)mortality that pervade the current moment.

American painter Andrew Wyeth (1917–2009) lived his entire life in his birthplace of Chadds Ford, Pennsylvania, and his summer home in mid-coast Maine. His seven-decade career was spent painting the land and people that he knew and cared about. Renowned for his tempera painting Christina's World (1948), Wyeth navigated between artistic representation and abstraction in a highly personal way.

The 367 exquisite hand-colored plates of the Hortus Eystettensis, published in 1613 with elaborate descriptions to record the palatial gardens in Eichstätt, Bavaria, were a landmark in botanical illustration. This facsimile edition, featuring authoritative texts and a present-day classification, preserves a treasured florilegium for posterity.

• Authors: Littger, Klaus Walter and Werner Dressendorfer
• Hardcover 3 volumes in a case
• Publisher: Taschen 2023
• 1096 pages, 12"x 9.6"
• Facsimiles of 367 hand colored plates